Mosi-Musig at the Riemenstaldner Chilbi

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The Mosibuebä have enjoyed playing the Schwyzerörgeli since school days. That was no coincidence, as there were several musicians in the family, such as the Betschart's (Pitschä) and Albert Lüönd. In his younger years, Pauli often played with Rees Gwerder and was very interested in the style of the old Uri and Muotatal Handörgeli players. He was also a big fan of the Schmidbuebe. Alois was very interested in the playing of Bernhardin Schmidig (Lunni's Bärädi). Later, the Örgelidoktor Martin Nauer inspired him, and he also performed many times with him. He also followed the old music of the Schwyzerörgeli virtuosos Josef Stump and Balz Schmidig as well as Ernst Inglin. With Pauli’s and Alois’s original compositions, the unmistakable Mosi style developed. Some young Örgeli players now play these dances too, ensuring the Mosi sound lives on. Daniel Gwerder had similar role models to the Mosibuebä. He is also interested in the music of Kasi Geisser and Josias Jenny. His father and grandfather were also enthusiastic Schwyzerörgeli players. With his original compositions, he enriched the Mosibuebä repertoire. Thomas Scherrer was also very interested in old Örgelimusik and the Mosibuebä. He plays many of Pauli’s pieces and some of Alois’s, true to the originals. On bass, it is officially Philipp Schuler or Häppy Imholz, and Kari Schorno as a substitute.

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