Grand Gesture

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Few solo concerts begin as spectacularly as Pyotr Tchaikovsky’s Piano Concerto No. 1 in B-flat minor. Four descending notes in the horns are answered by a tutti chord in the orchestra, before, after a second repeat, the solo piano enters with powerful ascending chords. A grand gesture right at the start – the broad, sweeping theme lies in the strings beneath. The pianist Boris Giltburg is regarded as an expert in the Russian repertoire of the late 19th century. Technical brilliance meets a wealth of tonal colours in Giltburg’s playing. You can also hear that in Alexander Glazunov’s melancholic Symphony No. 4, Sergei Rachmaninov’s airy Scherzo in D minor and Robert Schumann’s contrasting orchestral work “Ouvertüre, Scherzo und Finale” in E major. The Deutsche Kammerphilharmonie Bremen also masters grand gestures – without neglecting the small detail, which it brings out vividly. The concert is dedicated to Hansjürg Saager and made possible by the EXEKIAS foundation. Boris Giltburg, piano Edward Gardner, conductor Die Deutsche Kammerphilharmonie Bremen Programme: Robert Schumann (1810–1856) Ouvertüre, Scherzo und Finale in E-Dur, op. 52 Peter Tschaikowsky (1840–1893) Konzert für Klavier und Orchester Nr. 1 in b-Moll – Intermission – Sergej Rachmaninow (1873–1943) Scherzo in d-Moll Alexander Glazunow (1865–1936) Sinfonie Nr. 4 in Es-Dur, op. 48

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